Our picture of Bette Franke for Miu Miu xxiv
Linda Connor
contact prints on printing-out paper from vintage glass plate negatives of Solar Eclipse from the collection of The Lick Observatory
1893-1910, prints made 1977-1996
Carey Mulligan: Carey, Carey, Quite Contrary - W by Michael Thompson, January 2012
Reading between the lines - Gijs Van Vaerenbergh
Depending on the perspective of the viewer, the church is either perceived as a massive building, or dissolves — partly or completely — into the landscape. Those viewers that look from the inside of the church to the outside, on the other hand, witness an abstract play of lines that reshapes the surrounding landscape. In this way, church and landscape can both be considered part of the work — hence also its title, which implies that to read between the lines, one must also read the lines themselves. In other words: the church makes the subjective experience of the landscape visible, and vice versa.